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What to draw and how to draw it

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HOWrofefDRMIT
d^ BV E.G.LUTZ
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READING fiOOM
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DODD,
MEAD & COMPANY
Fourth Aven'^^ a;i4 30th Streol
Publishers
€>
G)pyright, 1913, by E. G. Lirtz
All rights reserved
Printed is
U. S. A.
J
lH-\
^szo^J^
PROPERTY OF
TH£:
INSTRUCTIONS
In drawing from this book, copy the last diagram, or finished picture, of the particular series
before you.
The other diagrams
go on with your drawing.
— beginning with
They
that together form the completed picture.
help in construction
—that
is;
details in their proper places.
—
number two, and so on show how to
make the various strokes of the pencil
one, then
The dotted
lines indicate
where
light lines are
drawn
that-
getting proportions correctly, outlining the general form, or marking
Do
not press ftaid on' the pencil in making these construction
then they can be erased afterwards.
Use
number
give the order in which to
pencil compasses for the circles, or
'.':'.
:i''.
*
'
mark theto Off with buttons
7
or disks.
lines,
A.-
1?
1
\
THE NEXT
AT EQUAL mVANCES LINE FROM
ON A CIRCLE
LEFT To RmT
^
AND 60 ON TO THE LAST
IN THIS
i
WAY
1
WITH PRACTISE THE AH) OF CIRCLE
AND P01NT6 WILL NOT BE NEEDED
^y^
LigKtl\pu&e.
Cepyrisht.l9l3.t»C.6LuU
"^-^
^Syrf
10
A
1
i
3.
^
4.
\_\ \
B
1
Copyright, 1913. by
E.Q.Lutz
11
^
Cube-
Toy HorsG.
12
C=5
W—^
Toys
—^^1 ^
Copyrisht.l9l3,byE.Glut2
13
1
i
C reefed C rV3kne
^...
14
^
TKinjs
to npiice ^^eIv
SHAPE OFeARf)
drawing a cati face
|^
X
EYES WIDE APART
A FXWLONCt
HAIRS Above
r^*4kv/.('Pt... EYES -PUPILS
CHANCRE IN SIZE
MARKINGS
IN BRJ&HT DAYl.l(}HT
PUPILS OF EYES
AND SHAPE
.^
T1(^ER-LIKE
,.--"
^
AROUNP-'''
LONQ
WHI5KER5
EYES
ARE LIKE THIS
16
MAKE AN
OUTLINE
THE SAME
^^^
B
1
iryiry
yV\ioe^
^^
Copyrl8MI9l3>C.G.Lutt
17
CUF^IOUS F^ISHeS
IC^..rt<.l3«.t,tJi.U1,
18
Angel Fisb
Fi5he5
1
B
Co()ynslrt.l9l3.
by e.ftUtz
19
Cai+ail
plan-t
20
CownsM.ISlJ
21
<L>
"Rabbit
Runnin.^
^^^
22
Ft&hbii:^
Copyright. 1913, by
E.&.Lutz
23
24
1
3.
°6
Heiy And
Copyright. ISia. I» E.Q
?^a#
Clval^
Utz
25
4
.
.
S
^fe
•C^
26
Cet)yright, I9l3,by
E.6.Lutz
27
28
God^t
Coffrijihi
l?l3t)yE&Lu^z
29
Bulldog
@
®
(i)
!
'(§)VA-/(§)'
(§)
(SD
'®VA_/®
/
30
A
1
^ '^O
1
Cowrisht,l9l3,b^EQ.Uh
'Q-:^
Ir^
31
FIRST
DRAW A
WITH
TRIANQ-LE
5 IDES EQUAL
ifor>se.
32
A
/'
I
»
Tui^l^ev'
Co|;yn^M.I9l3.byE.Q.Lutt
33
34
Copyright. l9l5.byE:.&.Lurz
35
^w2vllow5
36
Flyii^ Dirdfe
Copyright. l?l3.ty£,&Lutz
37
38
39
40
A
I
_^
2.
^_^
3
Parrakeet
and Parrot
Copyright. I9t3. by
t & Lut ^
41
42
Y\Z\CCOOT\^
"Copyfi<;Kt,l9l3.byES.t.tftz
43
1.
—N
y^
^
44
45
FIRST DRAW /
A
RHOMBOID /'
46
A
I
ror\
Birds Tm<de
Ci
Adjutant
Copyri9ht.l913
byEQ.Utz
>«^
47
48
Camel
3
A
B
freight Line.
Dra.wiri<?S
1
1
Copyright. 1913, by E.&.Lutz
49
60
A
1
Face5
-
Easily drawn
Copynjht.Bl^bytKfLutz
51
i
4
:
1
1
1
I'll
i
t
52
'-**-^
Fi^upcj -Merv- DraWn witK straight
h
5
_
1
'
lii>e5
P
—
-
CoiyTiJ».l9li.l)yE.^Ltt<I
53
/
iB
3
2,
C
'.
^
-
"\
4
,ri
r
ir^s
/\ [/1^ u
54
's
^
A
1
Copyr.<lht,19l5,bvE.&Lutz
56
Droll
Face
56
A
1
\
DrAwintf F^ices
in. &t\ Amuf>in<5
Co|)yri«;Vt
.
I9li by
Wav
E O.Luti
67
58
Profile.^
'
Ea5y
te
draw
Coprigm,l9l3byE&ttfft
59
Ligktly drawi|
lines like
will
^^pr* e^^j
above
help in
sketcKw
60
o£v>£-
C(i[Yri<fM.\9l}.byE.QLuH
_
«1
62
63
64
66
R^Ufvd Pi d ti re^
To draw iKey® fi^utes
,
fir^t
n\h,U^ circle^ a^ 5K«>Wrvi»> Ai.
&£>!
66
An odd
way ofbejinuinf
B
1
Copyright, 1SI3 by
E&U^z
87
_L_
A
t^—.
B
^
1
1
A A
IWI\
-^..
•
^>i^^
^^
\
-1
1
I
1
\!^^
1
68
MeiJ\/i7g an, Ovetl w^ithfhe. Confp^3S&S
>r«Tr
DRAW TWO UNE5
CROSSING AT
RKtHT ANQLES
WITH
A
AS CEffTER. DESCRIBE
CIRCLE WITH DIAMETER
WIDTH OF OVAL VMNTEP
FROM BanoC DRAW
FROM BandC as
LINES THROUGH
AND BEYOND D
CENTERS DESCRIBE
ARCS TO EanoF
DRAWING OVALS AND
Take
The
note, first of
all,
of the difference
between an
ellipse
large plate explains the construction of an ellipse.
ELLIPSES
and an oval.
It
shows how to find the points where
the three pins are placed that determine the size of the looped string.
ments accurately.
elastic.
A
The
Use
a string that will not give, cotton thread
suggestion to amateur gardeners:
make
WITH DA5 CENTER
E AND r BY AN
ARC COMPLETING OVAL
CON N ECT
is
elliptical flower
Be
sure and
good for small
beds this way.
caution in regard to accuracy also applies to the making of the oval.
70
make measure-
ellipses, silk
is
too
How
DRAW TWO UNE5
to mh,ke a/? Ellipse:
/
I
SKETCH
ELLIPSE WANTED
ROV<^Hiy
CROSSINQ-
AT RIQHTANQLES
IN CENTER.
\
\
I
\
/
V^
i<
\
WITH CENTER C AND
DISTANCE BA AS
AT POINTS OF INTERSECTION
AND F PLACE P/NS
T.
RADIU5 IKTERSECT
C
^ LINEBD
\1
\
\
\,
LOOP A STRIN<}
AROUND ALL
THREE P/NS
TAKE OUT PIN
AT C AND
REPLACE WITH
I//
71
PENCIL POINT
n
-
SUGGESTIONS FOR WATER-COLOR PAINTING
Here
-A Useful List
OF VVATER-COLORS
COLOR5'
_______^
;y^i;i.bw:-|
•WHAT -TO ASK
good
a
wish, purple
list
rORIN-THE-5HOP
There are many
brown
what
to get, the
Moist
colors in
if
as
names
you
pans are best.
different kinds of red, green, blue
and
paints;
The
of colors for practical work.
and orange.
YELLOW OCHRE
GAMBOGE
H Br-igh-t
is
eight are enough for every purpose; but add,
first
and
you may be puzzled and not know
of the best hues of these particular
The most useful paints in this list
light red, Vandyke brown and Payne's
colors are also given.
3|
light
red
CrimsomIcrimson lake
are yellow ochre,
gray.
Learn to work with them, use them often and see
the beautiful effects they produce.
VANDYKE BROWN
NEW BLUE OR
ULTRAMARINE
Oreiein
HOOKER'S GREEN
NoJ
PAYNE'6 qRAY
Mjim.M
sS-«jppl^"\erv.t^r>j^
—
MAUVE
ANQE
-^n O RVERMILION
;UP{.ANG£:
10: -7:^:7-^7—
I
brown makes
made
Vandyke
Delicate tints are
with thin washes of yellow ochre and light red.
a variety of pleasing tints.
Use the bright
colors sparingly.
You do not need
a black paint.
Payne's gray with
either brown, blue, crimson or green gives rich dark tones.
Payne's gray
is
also useful in
shadows and shading other
colors.
For the different kinds of greens, mix yellow ochre,
blue or
brown with Hooker's
and blue for the gray
light red
73
green.
Use thin washes of
and clouds.
of distances
74
/
7S
^
E<ii-
76
^ZXOS3^-/>iO^
77
THE NEW YORK PUBLIC LIBRARY
CIRCULATION DEPARTMENT
NATHAN STRAUS BRANCH
348 EAST 32nd STSSFt
78
WHAT TO DRAW
©T.O
and
HOW TO DRAW
Mrell.
that fixet the object in memory and 6
ops naturally a physical skill and a
knowledge of proportion and form.
Foreshortening and perspective, t
bugbears to young artists, are overcom
the simplest progressive examples.
INSTRUCTIONS are very brief, for the
key line* of each object tell their own story
uid the child is entranced by the results
toon gained. There is no stupid tracing in
this book, for tracing accomplishes at most
Bnly a little muscular controL
The book provides a step-by-step system
REMEMBERING THE KEY LINE o
T
the way to the completed object
are hundreds of pictures to draw and all
those most fascinating to the child, wh
thrilled by the "magic" that makes dra>i
easy and delightfully interesting.
LINE, that't
*'Ju*t remember the
THIS
which
the
is
really
tine ia
a remarkable book in
made a good rea$on for
form. The youngest child may grasp
magic progress of this way of working
knd he will draw the picture naturally and
\
-y
m
AN IDEAL GIFT FOR CHILDREN
Ik^i'^'m
KEY
)
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