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modal jazz - Arts and Ideas

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Modal Jazz
By Dan Mariska and Chris Misa
History
• Response to complex chord progressions of
bebop and hard bop
– Soloists focused intensely on playing each
chord - hard to improvise
• Composers and musicians like George
Russell began experimenting with modal
approach to improvisation
Theory
• Songs written around modes
• Player’s focused on the melody they were
playing not the chords
• Gave piano and bass players more freedom
in backing and interacting with soloists
• Players also could use non-diatonic notes to
control, create, or build tension
Players
• Miles Davis
– All Blues
– So What
• John Coltrane
– Impressions
– Crescent
• Bill Evans
More Modal Players
•
•
•
•
Cannonball Adderley
Paul Chambers
McCoy Tyner
Jimmy Garrison
Later:
• Michael Brecker
• Steve Grossman
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